Brice Carrington Releases HAWT SFX, but are they his?

Following up on a recent posting I made about Carrington, a commenter (hey SteveLee) alerted me to the fact that Carrington has misrepresented himself and his work before.

I tend to not endorse products, so much as alert people to their existence, but this was enough for me to amend my previous posting.

I must state that I have absolutely no reason to think that there is any misrepresentation of work in this collection, but it just further serves to warn sound designers to watch their creations like a hawk.

From a previous incident (which you can read about here), here was Carrington's explanation:

"I am Brice Carrington. I am writing this note to address comments made about me and to state some facts about my work. All the statements made that say directly that I have NEVER worked on a film or have won an academy award for sound is absolutely true. I have never worked on a motion picture nor have I ever won an academy award. The fact is, I am a sound designer, and I make recreations of sounds found in films and sell them to the public through a brand called Ultimate FX. I am completely responsible for all the misleading or incorrect statements made about me in the press. My effort was to create press for the brand Ultimate FX, which I am the author. I did this foolishly. This is a library where I have made my OWN versions of movie sounds. I have no association with the Academy of Motion Pictures Arts and Sciences. I commemorate the Oscars by creating a version of the main characters in films that win Oscars. Like in Jurassic Park, we make a T-Rex using hogs in water, lion growls, a lawn mower and elephant roars. That is My version. I sell this and other sounds complete with the stems to consumers. This is a lawful enterprise, but misleading the public or allowing mis-characterizations is wrong. I am issuing an apology for making all of the misleading or mischaracterizations of my work. I apologize to those in the sound industry and the makers of the original works and studios that distribute them for this offense. To correct this, I will ask for retractions were appropriate in the press. I will also refrain from any further public comments and allow the brand and the product to speak for itself through traditional means of sales and marketing. To those in the sound industry and those specifically I have offended, you have a right to be upset, and I offer my sincere apology. I am sorry that you had to spend one minute of your time addressing this. b"